Editions: Drop 01
PRESENTED BY: LOUD PALETTE, LA GALERIE
Amanda Howell Whitehurst
Jacksonville, FL
A practice rooted in digital illustration, painting, and contemporary figurative portraiture, Amanda Howell Whitehurst constructs work that engages with memory, identity, and self-possession, holding space for a quiet but unwavering sense of presence.
Based in Jacksonville, Florida, Amanda Howell Whitehurst works across digital illustration, painting, and modern–vintage comic traditions. Her compositions feature rich, earthy palettes, painterly textures, and a careful attention to gaze, posture, and hair—elements that carry both cultural history and personal symbolism.
While her practice moves between personal exploration and commissioned work, the through-line remains consistent: portraits that reflect confidence, and presence without excess. Her work celebrates the beauty, complexity, and quiet strength of women like herself, drawing inspiration from the stories, music, and lived experiences that shape life.
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Title
Year
Medium
Dimensions (optional)
Edition (e.g., 1/10)
Status (Available / Sold / Reserved)
Title
Year
Medium
Dimensions (optional)
Edition (e.g., 1/10)
Status (Available / Sold / Reserved)
In our Palette
Within LOUD PALETTE, la GALERIE™, Amanda Howell Whitehurst’s work operates at the intersection of modern portraiture and visual storytelling. Her approach resists excess and over-articulation, instead insisting on restraint, clarity, and the power of the composed figure.
What emerges is a body of work that does not simply present itself for viewing, but asks to be held in consideration—materially, emotionally, and contextually.
In the context of EDITIONS: DROP 01, this placement reflects an ongoing commitment to the preservation and expansion of contemporary Black portraiture, with particular attention to interiority, authorship, and representation.
I. Figure
Amanda Howell Whitehurst works through digital and painterly portraiture, building a visual language shaped by controlled gesture, softened edges, and intentional stillness. The practice is grounded in the figure as both subject and site—where identity is neither performed nor explained, but held.
This body of work is presented as part of EDITIONS: DROP 01.
Comprising a focused selection of works, the series explores the relationship between self-image and cultural memory. Working through digital illustration layered with painterly texture and compositional control, Amanda Howell Whitehurst extends her practice into a space of refinement and quiet assertion.
Each work exists as part of a limited release, reinforcing both the material presence of the image and its position within a broader evolving archive of contemporary figurative work.
II. Interior
The work navigates a space between visibility and introspection—between what is seen and what is withheld. This tension resists spectacle, allowing the subject to remain self-contained, composed, and fully present without external demand.
III. surface
Through layered digital processes and painterly texture, Amanda develops compositions that soften the boundary between illustration and painting. Color, hair, and posture are treated with precision, allowing each element to carry both aesthetic and cultural weight.
IV. Continuity
Within LOUD PALETTE, la GALERIE™, this body of work is situated within an ongoing dialogue around contemporary Black portraiture and the preservation of quiet image-making. It reflects a commitment to work that prioritizes presence over performance, and depth over immediacy.